“5 STARS! ASTONISHING. Sensational. Theatrical magic. Rosalie Craig delivers a tour de force that deserves to be the talk of the town.” Daily Telegraph
“5 STARS! MARIANNE ELLIOTT’S GLORIOUS SHOW. Surprising, sexy and clever. Wonderfully fresh.” Evening Standard
“5 STARS! Mel Giedroyc gives a comic masterclass. A CAST TO DIE FOR. ENTERTAINING AS HELL. Terrifically funny turn from Jonathan Bailey.” Time Out
“5 STARS! BROADWAY STAR PATTI LUPONE IS MAGNIFICENT.” Metro
“5 STARS! THIS IS A GAME-CHANGER. I can’t remember ever laughing more at a musical. Pure musical theatre pleasure.”
“5 STARS! A FLAWLESS REVIVAL of Stephen Sondheim’s musical. Jonathan Bailey is outstanding as the neurotic Jamie.” Radio Times
“5 STARS! Rosalie Craig’s Bobbie feels like the lead the show was always meant to have.” Daily Mirror
“5 STARS! Gender switched Sondheim proves a sublime down-the-rabbit-hole cocktail of entertainment.” Daily Telegraph
“5 STARS! Marianne Elliott’s neon-flooded, gender-bended production is more a reinvention than a revival – and it’s a revelation.” The Stage
“5 STARS! AN ELECTRIFYING MODERNISATION. A succession of ‘star turns.” Londonist
“5 STARS! IT FEELS SMART, FRESH AND RELEVANT. This approach makes it a revelation all over again. What’s wonderful about Elliott is her consistency and care. It’s thrillingly inventive. There is so much to admire and like in this richly inventive production that confirms Elliott as one of our best directors and Company as a great musical.” What’s On Stage
“5 STARS! STUNNING. Rosalie Craig, radiant in a ravishing red party dress, may be playing a tentative, emotionally disconnected character, but she pulls off the astonishing feat of making usconnect with her. A departure into new territory and a stunning reaffirmation of its brilliance.” LondonTheatre.co.uk
“4 STARS! Elliott has reimagined this musical for a new age and an application that is more universal than ever.” Financial Times
“4 STARS! Song by song, moment by moment, it delivers. Patti LuPone astounds. A bona fide star…she steals the show.” The Times